Sometimes a piece of fiction captures
exactly a situation that no academic research can accurately depict. Seeing
‘The Angel’s Share’ at the cinema recently brought home to me the background
and lives of many of the offenders we meet through our work on healthy prisons.
In a mirror of the film’s story, the lead actor is also an ex-offender; the
film’s scriptwriter (Paul Laverty) met
him (Paul Brannigan) at the Strathclyde
police unit for violence reduction. Brannigan was jailed aged 16 for four years, after being involved in a gun battle
involving family members. Both his parents were drug addicts and he was brought
up in a tough part of Glasgow. That he has turned into an actor, and is now
involved in another film, is a fantastic success story. He commented, “It
probably saved my life. I’d nowhere to turn, got a kid; who knows what I’d have
done for money”. That sense of having nowhere else to turn except to do
something illegal is a feature of the film. A group of people meet by chance at
the courts, all having escaped custodial sentences but being required to do
community service. What they contrive to
do together does involve some illegal
acts but it’s a really heartwarming story and also extremely funny. It has a
happy ending and remains an uplifting film. Directed by Ken Loach, it is in his tradition of an honest, gritty, almost documentary style that captures the
bleakness and brutality of life on some of the poorest estates in Britain. It
really did seem that for the main characters, they would have been safer in
prison than on the streets where they lived. This is also a sentiment echoed by
some of the prisoners interviewed over the years by us, including those in a
major study by my colleague James Woodall for his PhD.
That offenders come from these kinds of
backgrounds is well known. Offenders are not
typical of the general population - they are more likely to be drawn from
sub-sections of the population regarded as marginalized and with a complex set
of needs. 27% of offenders were taken into care as children (compared with 2%
of non-offenders) and the statistics for other social problems run the same pattern:
49% of male and 33% of female offenders
were excluded from school (3% non-offenders); 52% of male and 71% female offenders
have no qualification (15% non-offenders); 67% of offenders were unemployed
before offending and 32% were homeless. Two thirds of male and just over a half
of female offenders used drugs in the year before offending.
The low educational attainment and limited
life chances are evident whenever you meet prisoners. This isn’t true of all
offenders and it also isn’t the case that all those with poor life chances turn
to crime. However, just as some environments are salutogenic or pathogenic, so
too are some environments more or less criminogenic. Life can be toxic in parts
of poor Britain; children too, simply learn whatever is around them, and up to
a half of people in prison also had a father who went to prison. Paul
Brannigan, who could play the lead role so convincingly because in essence it
was his story, said, “In Glasgow, there’s no work. There’s no ships or houses
getting built. No opportunities, no hope. And when you’ve no hope you can’t get
your motivation up, your self-confidence goes down and you turn to drink and
drugs. It’s a downwards spiral”.
So “The Angel’s Share” is a story about the
social determinants of health, about what it means when someone takes you under
their wing, shows faith in you and when someone offers you a chance to make a
new start, with practical help – a job, a house. It’s also a story of how
people can use their own imagination, ingenuity and talent to seize that
opportunity once presented. And the angel’s share is that part of the whiskey
that evaporates when it’s maturing inside the barrel……